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SUNSHINE REVERB MADE ON A LIMITED RUN OF 100 FOR TY SEGALL
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MULTI-MODE ECHO SYSTEM PEDAL WITH MULTIPLE OUTPUTS FOR MANY AMPLIFIERS FOR QUADRAPHONIC SOUNDSCAPES |
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SPACE DRUM MODULATOR DRUM MULTIEFFECT FOR DRUM TRIGGERS. NO SAMPLE TO TRIGGER SO NO MISSFIRINGS
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LIMITED EDITION APOCALYPSE FOR A PLACE TO BURY STRANGERS STRANGE MOON TOUR 2013 |
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VOCAL ECHO WITH XLR IN'S AND OUT'S AND CUSTOM TRANSFORMERS AND FX LOOP.
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DBA-7M4 DUAL PREAMP WITH SELECTABLE FILTERS AND DUAL GAIN KNOBS FOR MORE DBs THAN THIS THING CAN HANDLE |
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SPACE BASS. OCTAVE, FUZZ, BASS BLEND
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SUBSONIC BASS FUZZ |
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TOTAL SONIC BREAKDOWN. TSA AND SOUNDWAVE BREAKDOWN MELTED TOGETHER INTO ONE PEDAL. WITH LOOP SWITCH.
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2 CUSTOM FILTERS MADE FOR TRENT REZNOR. HIGH PASS, BAND PASS, AND LOW PASS. ONE SIMPLIFIED AND ONE ADVANCED WITH FUZZ, MOMENTARY ACTIVATION, CRASH+++ |
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SOUND MASTER EQ PEDAL. BASED ON A STUDIOMASTER EQ AND THEN TAKEN FURTHER.
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FREQUENCY DEPENDENT LIGHT CONTROLLER. WORKS WITH INPUT OR INTERNAL MIC. SENSITIVITY CONTROLS FOR LOW, MID, AND TREBLE. PLUG IN SOME LIGHTS AND THEY DANCE TO THE DRUMS! |
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FULL RANGE FUZZ WALL CUSTOM MADE FOR JEREMY FROM AIRIEL. OVERDRIVE AND A FILTER.
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CUSTOM LeSTRANGE TOTAL SONIC ANNIHILATION WITH EXTRA BELLS AND WHISTLES AND SPARKLEY. |
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SUPER BASS 2:
SPLITS THE SOUND INTO BASS AND FUZZ AND BLENDS THEM BACK WITH THE 6 POSITION CROSSOVER FREQUENCY SELECTOR FOR A SUPER FULL BASS SOUND. BUILT FOR JET.
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CUSTOM OCTAVE CLANG WITH A SWITCH TO BYPASS THE OCTAVE AND THE KNOBS MOUNTED ON TOP. |
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WHITE NOISE GENERATOR / RING MODULATOR ALL IN ONE> EITHER BLEND IN THE EFFECT OR CONTROL THE FREQUENCY OF THE WHITE NOISE GOING INTO THE RING MOD>
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ARMAGEDDON #1 FOR ME AND #2 FOR JAMIE DRAKE PAINTINGS ----
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SUBSONIC BASS DIVIDER WITH CUSTOM STREAK SILKSCREEN PAINT JOB
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FUZZ FUZZ FILTER:
2 DIFFERENT PEDALS IN ONE. 6-IN-ONE FUZZ AND EVIL FILTER. CONTROL FOR OCTAVE, EXPRESSION PEDAL JACK
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METALLIC COPPER ON BLACK SUBSONIC BASS DIVIDER
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SONIC JET:
BUILT UP FUZZ FACE ENCLOSURE WITH 4 DIFFERENT FUZZ VARIATIONS AND INTERMODULATION * OSCILLATIONS * |
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CRASH MODULATOR WITH CUSTOM SILKSCREENED GRAPHICS
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SUPERSONIC FUZZ GUN / +WHAT? |
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INTERSTELLAR OVERDRIVER VOICED FOR BASS w/BOOST.
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THE OVERLOADER:
MULTI FUNCTION OVERLOADING AMP SIMULATOR UTILIZING MANY DIFFERENT TYPES OF CIRCUITS TO CREATE A MULTITUDE OF SOUNDS. J-FET, GERMANIUM, SILICON, POWER AMPS, COMPRESSOR, FILTERS, DIODE CLIPPERS++ |
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ECHO MASTER:
VOCAL ECHO USING XLR INS AND OUTS w/BYPASS SWITCH. |
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FUZZ SAW:
MULTI CHANNEL FUZZ PEDAL UTILIZING THE FILTERS FOUND IN THE SOUND SAW IN CONJUNCTION WITH RIPPING FUZZ. BUILT FOR JAKE OF ALCIAN BLUE. |
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UNIVOX UNIDRIVE CLONE. |
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LOOP DRIVE:
STEREO FX LOOP WITH A BOOST BUILT FOR SERENA MANEESH. |
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ASSAULT SYSTEM:
2 INDEPENDENT FUZZ CIRCUITS WITH THE ABILITY TO CHANGE THE ORDER OF WHICH ONE FOLLOWS THE OTHER FOR MANY SOUND POSSIBILITIES. OSCILLATION, FUZZ, STATIC FILTERS+ |
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WAVE DESTROYER:
HORRIBLY INTENSE AND TREBLE RIDDEN PEDAL. THE SOUND FORCES TEARS TO THE EYES. TAKES THE INPUT SIGNAL IS DISTORTED WITH AN ULTRA HIGH FREQUENCY WAVE. THE FREQUENCY IS SO HIGH YOU CAN'T HEAR IT ON MOST OF THE FREQ DIAL BUT IT SURE DOES INTERFERE WITH THE INCOMMING SIGNAL. THIS PEDAL PRODUCES SOME OF THE HARSHEST AND MESSED UP METALLIC SOUNDS I HAVE HEARD. |
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BLUE RINGER:
DAN ARMSTRONG BLUE RINGER CLONE WITH PHASE INVERTING SWITCH AND VARIABLE SOUND. |
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MODIFIED EFFECTOR 13 LOOP MATRIX:
MODIFIED THE LIGHT SENSORS AND CHANGED THE VALUES AND TAPER OF THE POTENTIOMETERS. |
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ORANGE AMPLIFIER FOOTSWITCH AND A/B/Y BOX |
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CUSTOM MULTIFUZZ PEDAL:
COMBINES A FUZZ CIRCUIT WITH A TONE BOOST, A OSCILLATING FUZZ, A SHORT DELAY, AND THE CIRCUIT FROM A TOTAL SONIC ANNIHILATION. EACH ADDITIONAL EFFECT IS SWITCHABLE AND A SELECTABLE ONE CAN BE ACTIVATED WITH THE ADDITIONAL STOMP SWITCH. |
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ROLAND / BOSS ME-50 EXTERNAL EXPRESSION PEDAL CONTROLLER. DESIGNED SO THE ME-50 CAN BE USED AS A TABLE TOP UNIT AND HAVE FOOT CONTROL ON THE GROUND. |
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VOLUME JET:
CUSTOM VOLUME/BOOST PEDAL BUILT FOR JET. |
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ECHO MASTER:
ECHO DESIGNED FOR VOCALS. XLR IN/OUT. 4 POSITION DELAY TIME OR KNOB ADJUSTABLE DELAY TIME. MIX KNOB AND AN EQ SWITCH TO CUT SOME OF THE BASS FOR COOL THIN SOUNDING VOCALS. |
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STEREO BEAT MODULATOR:
TREMELO, MODULATED DELAY, AND SHORT DELAY FILTERS. ONE FOOTSWITCH TURNS THE PEDAL ON AND OFF AND THE OTHER CHANGES THE DELAY TIME. STEREO OUTS FOR STEREO CHORUS AND DELAY PAN EFFECTS. |
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MASTER FUZZ. TWO FOOTSWITCHABLE CHANNELS WITH 6 DIFFERENT FUZZ / OVERDRIVE / DISTORTION SOUNDS ON EACH CHANNEL. ALSO EACH CHANNEL HAS CONTROLS FOR VOLUME, GAIN, TREBLE, BASS AND A THICK/THIN SWITCH. |
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INTERSTELLAR OVERDRIVER SUPREME CUSTOM DUAL INTERSTELLAR OVERDRIVER. THE FIRST CHANNEL HAS A GERMANIUM DIODE CLIPPER SWITCH. THE SECOND CHANNEL HAS A SIX POSITION MULTI SOUND SWITCH: NORMAL, DIODE CLIPPER, OSCILLATOR, SUPER FUZZ, OCTAVE FUZZ, ENVELOPE CONTROLLED TREMELO (ONE SPEED, CHOPPY, SHOTTY TREMELO, BUT COOL NONE THE LESS) |
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OPTICAL COMPRESSOR. MY OWN DESIGN FOR EXTREME COMPRESSION. TWO CONTROLS: AMOUNT OF COMPRESSION AND A DRIVE CONTROLTO SLAM THE CIRCUIT INTO A NICE OVERDRIVE. |
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MACRO RINGER RING MODULATOR WITH 3 SWITCHABLE LOW PASS FILTERS. COMPLETELY PASSIVE RING MODULATOR SO INPUTS MUST BE ACTIVE TO MAKE SOUND. THIS ONE FILTERS CAN DO SOME GREAT THINGS WITH THE LOOP OF A TSA BY PULLING OUT CERTAIN FREQUENCIES AND WARPING THE EFFECT. |
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CUSTOM MODIFIED FULLTONE CLYDE WAH WITH SWITCHABLE OPTICAL T-WAH AND SIX POSITION TONE SELECTOR SWITCH. CONTROLS FOR WAH/T-WAH, GAIN, AND T-WAH TONE SELECTOR |
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DIGITAL POWER SYSTEM. THIS IS A 9v POWER SUPPLY THAT I BUILT FOR MYSELF WHICH UTILIZES A RADIO SHACK DIGITAL INTERNATIONAL POWER SUPPLY. FOR THOSE OF YOU WHO HAVE YET TO GO OVER TO DIGITAL POWER SUPPLIES THEY ARE THE WAY TO GO. IT WILL POWER TONS OF EFFECTS, WORK IN ENGLAND AND THE US, AND THERE IS NO HUM. |
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THIS IS A CUSTOM RED GRAPHICS ON WHITE CRASH MODULATOR. |
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DOUBLE BARREL DOUBLE FUZZ PEDAL BUILD FOR CLAUDE FOM AMANDELA / WEEN. HE CAME UP WITH THE NAME FOR THIS BEAST. IT COMBINES THE FUZZ BOMB AND INTERSTELLAR OVERDRIVER WITH A COUPLE MORE OPTIONS FOR EXTREME TWEAKABILITY. |
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THIS IS THE SECOND WHITE NOISE GENERATOR THAT I HAVE BUILT. CONTROLS FOR FILTER, RANGE, AND VOLUME. FOOTSWITCHES FOR VOLUME/WHITE NOISE BLEND, FX LOOP, GENERATOR IN LOOP/OUT. |
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THIS IS A BOSS / ROLAND OC-3 SUPER OCTAVE PEDAL CUSTOM MOD ENCLOSED IN A VINTAGE WAH PEDAL FOR CONTROL OVER THE DRIVE BLEND, SECOND OCTAVE DOWN, AND POLY OCTAVE GENERATOR RANGE. |
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ANALOG MONOPHONIC LOVE SYNTHESIZER #2 OPPERATES BY BENDING AND SWELLING NOTES GENERATED FROM A FUNCTION GENERATOR. INTERNAL SPEAKER AS WELL. |
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POSSIBLY THE CLEANEST AND FULLEST FUZZ YET. NICE SMOOTH AND EXTREME SUSTAIN CAPABILITIES. ALL OUT DISTORTION WITH A LOT OF CLARITY. SPECIAL STRUCTURE CONTROL WHICH DRASTICLY WARPS THE SOUND BUT EVERY POSITION HAS THE ALL OUT SUPER FULL AND CLEAR DISTORTION. CONTROLS ALSO FOR THICK/THIN, GAIN, AND VOLUME. |
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SUPER SUBSONIC BASS DIVIDER. FOUR FOOTSWITCHES. ONE FOR EACH CHANNEL (SUB, DRIVE, FUZZ, AND LOOP) ALSO GAIN CONTROLS FOR EACH CHANNEL AND THE MASTER FOR EXTREME SATURATION. |
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SURROUND AROUND SWIRL. 3 CHEAP DOD CHORUS PEDALS MODIFIED AND COMBINED TO MAKE ONE REALLY GREAT CHORUS PEDAL. SINCE THE MODIFICATIONS THIS CHORUS IS EXTREMELY INTENSE AND FULL SOUNDING. 3 OUTPUTS AND TRUE BYPASS MAKE THIS SOUND AMAZING ON THREE AMPS. NO NEED TO STOMP ON 3 PEDALS TO GET THAT ONE GREAT INTENSE SOUND. |
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DISTORTION MACHINE. IC DISTORTION DEVICE WITH EXTREMELY SMOOTH AND FULL DISTORTION. NOT SUPER INSANE LIKE MOST DBA PEDALS. |
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BIG BROTHER TO THE LOOP BOMB. THE DOUBLE LOOP BOMB. TWO ACTIVE TRUE BYPASS LOOPS TO MAKE THOSE WEAK EFFECTS SOUND POWERFUL AND NOT LOSE YOUR ORIGINAL TONE. |
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MICRO RINGER. PASSIVE RING MODULATOR WITH DIFFERENT SOUNDS DEPENDING ON WHAT JACK IS PLUGGED IN. SO IT ACTS AS SIX DIFFERENT RING MODULATORS IN ONE. NO BATTERIES AND PURE ANALOG SOUND. |
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TRIPLE FUZZ. TWO CRAZY FUZZ SOUNDS AND ONE ACTIVE TONE FILTER ALL FOOTSWITCHABLE. THE MIDDLE FUZZ IS A RAT PEDAL. |
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OCTAVE TONE. BEEFED UP OCTAVE CLANG WITH 6 POSITION TONE FILTER. |
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CUSTOM CHELLO PICKUP. |
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RING MODULATOR / FUZZ BUILT INSIDE OF A WAH PEDAL. SIX DIFFERENT SOUNDS SELECTABLE FROM FRONT SWITCH. WAH ADJUSTS FREQUENCY OF MODULATION. |
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CRASH MODULATOR RING MODULATOR PROTOTYPE. GENERATES MODULATION FROM A NE566 CHIP OR EXTERNAL INPUT.
SOUND SAMPLES:
INTERNAL MOD:
1. Bass Fuzz 240k
2. Chime Guitar 196k
3. Down Swell 164k
4. Doppler 151k
5. Fat Guitar 675k
EXTERNAL MOD:
6. Blues Riff MOD=Depeche Mode band Violator 504k
7. Guitar MOD=8 Track 686k
8. Guitar MOD=Drums + Feedback 775k
9. Guitar MOD=Speaking 195k
10. Guitar MOD=Whistling 147k |
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2 CHANNEL PASSIVE VOLUME PEDAL WITH SEPERATE VOLUME, BASS, AND TREBLE FOR EACH. SOUNDS SWEET WITH A TUBE AMP SINCE IT JUST BACKS OFF FROM THE FULL SOUND. AND THERE IS NO NEED FOR BATTERIES! |
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BASS FUZZ / OVERDRIVE WHICH PRODUCES OUTPUT OVER A VERY WIDE SPECTRUM. |
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DELAY PEDAL WITH EXTRA LONG DELAY TIME. VERY LOFI AND CRAZY SOUNDING. |
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HARMONIC TRANSFORMER, SOUNDWAVE BREAKDOWN, AND SOUND SAW ALL BUILT IN BLUE ENCLOSURES WITH SILVER SILKSCREEN. |
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MICRO TAPE CONTROLLER AND BLENDER. STOMP ON THE SWITCH AND IT STARTS THE TAPE DECK PLAYING. BLEND IN AS MUCH AS YOU WANT WITH YOUR GUITAR SIGNAL WITH THE BLEND KNOBS. |
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SHIN-E FUZZ WAH MODIFIED WITH A TOTAL SONIC ANNIHILATION INSIDE TO HAVE BOTH CONTROLS WORKABLE FROM ONE COMPACT PEDAL. |
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DUAL TRUE BYPASS LOOP WITH PASSIVE VOLUME CONTROLS |
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MICRO HARMONIC TRANSFORMER. THIS IS A SMALL VERSION OF THE HARMONIC TRANSFORMER BUILT WITH ITTY BITTY LITTLE PARTS. |
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SILVER SOUNDWAVE BREAKDOWN TO BE GIVEN AWAY AT MUSICTOYZ.COM |
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SUBSONIC BASS DIVIDER #1 MADE AS A GIFT FOR PAUL Q. KOLDERIE AND SEAN SLADE AT CAMP ST. IN BOSTON FOR THEIR AMAZING MIXING ON THE FORTHCOMING A PLACE TO BURY STRANGERS EP. |
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OCTAVE FUZZ / TONE. MAESTRO BRASSMASTER / SIN-E WAH SOUNDING FUZZ BUT MADE TO BE SUPERLOUD AND HAVE AN ADDITIONAL TWIN T FILTER BOOSTER FOR AN EVEN MEANER SOUND. |
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TRUE BYPASS LOOP WITH A BOOST. GOOD FOR QUIET CHORUS/DELAY PEDALS AND NON TRUE BYPASSED PEDALS. I AM SUPRISED I HAVEN'T EVER SEEN THESE. IT IS A VERY USEFUL TOOL. |
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SIMPLE LO-FI 20 SECOND SAMPLER. SAME JACK FOR PLAY AND RECORD. PERFECT FOR ADDING AN INTRO OR USE A SPECIAL SOUND EFFECT FOR A SHOW. WE WILL MAKE THESE FOR $100 EACH CUSTOM ORDER. |
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TONE BOOST MODELED AFTER THE LADDER CIRCUIT FOUND IN MOST AMPLIFIERS WITH A SELECTABLE MID SELECTOR. GREAT FOR GETTING A DIFFERENT AMP TONE. |
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SUPER RICH AND HARSH FUZZ. THE FUZZ FIGHT. |
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FUZZ OCTAVE MODULATION. ANOTHER CRAZY FUZZ PEDAL WITH TONS OF VARIATIONS AND OPTIONS. |
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TREMELO FUZZ PEDAL. NICE RYTHMIC OPTICAL TREMELO WITH A SWEET SYNTHESIZER ESQUE SOUND. CAN GET EXTREMELY FAST AS WELL FOR FLUTTERING MAYHEM. |
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MORPHING ECHO PEDAL WITH BOOST AND INSANITY SWITCH |
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PROTOTYPE FOR THE BEST AND MOST ULTIMATE FUZZ PEDAL I HAVE HEARD (THE SUBSONIC BASS DIVIDER). THE THREE KNOBS BLEND IN A THREE CHANNEL FUZZ, OVERDRIVE, AND BASS BOOST. |
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WHITE NOISE GENERATOR THAT BLENDS IN SUPER LOUD AND HARSH WHITE NOISE AT THE TOE POSITION OF THE WAH. MADE FOR MAC. |
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CRAZY OCTAVE, SYNTH INSANITY FUZZ. UNIQUE SOUND WITH LOADS OF VARIATIONS AN INSANITY. |
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MAXON / IBANEZ AD-80 ANALOG DELAY PEDAL WITH LIGHT CONTROL AND BOOM SWITCH. GREAT FOR DIVE BOMB EFFECTS AND SUPER COOL BUILD UPS |
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SIMPLE TREMELO PEDAL BUILT USING AN OSCILATOR CIRCUIT AND PHOTO RESISTOR |
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ANALOG MONOPHONIC LOVE SYNTHESIZER MADE FOR MY GIRLFRIEND FOR VALENTINES DAY. HAS PITCH BENDING AND OCTAVE FUZZ AND A SWEET FILTER BUILT IN |
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RED SOUND SAW PEDAL MADE FOR JOHN FEDOWITZ OF SKYWAVE |
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BIG MUFF MODIFIED WITH BLAST FOOTSWITCH FOR EXTRA LOUD ACTION |
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CUSTOM FOOTSWITCH FOR A SUNN AMP |
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CRAZY FUZZ RING PEDAL WITH 4 POSITION INTERMODULATE SWITCH |
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BASS FUZZ WITH SWITCHABLE OCTAVE AND TUNABLE LOW PASS FILTER AND SPECIAL BLAST KNOB WHICH OSCILATES THE FUZZ |
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NICE SIMPLE EXTREME AND THICK FUZZ |
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MINI BOOSTER W/SWITCHABLE EQ'S |
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FUZZ PEDAL WITH BLENDABLE OSCILATOR TO CREATE TUNABLE PITCH WITH MILD RING MODULATOR SOUNDS AND LOTS OF HIGH FREQUENCIES |
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EXTREME FUZZ PEDAL WITH A VERY FULL AND BASSY SOUND |
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A/B BOX WITH BUILT IN LEVEL CONTROL TO EVEN OUT THE SOUND |
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VOODOO LABS PROCTAVIA CIRCUIT BENT FOR MORE VOLUME. ADDED SPEAKER BLOW SWITCH AND STOMPABLE OCTAVE AND EXTREME FUZZ SETTINGS |
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STEREO LIGHT CONTROLLED MAXON DELAY PEDAL AND COMBINED WITH CHORUS. CONTROLS THE DELAY TIME WITH THE AMOUNT OF LIGHT HITTING THE SENSOR. |
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COMPLETELY CUSTOMIZABLE FUZZ / OCTAVE FUZZ / OVERDRIVE / DISTORTION PEDAL. CAN DO EXTREME BASS, CRACKLY HIGHS,SIZZLE,ETC>>> |
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OCTAVE FUZZ WITH FOOTSWITCHABLE FILTER CONTROL AS FOUND IN THE SOUND SAW. IT IS WAS SO RAD I HAD TO COME UP WITH THE SOUND SAW. I NEVER PLAY A SHOW WITHOUT IT. THIRD FOOTSWITCH TO CONTROL TAP DELAY TIME ON MIDIVERB. |
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FLANGER MODIFIED TO BE CONTROLLED LIKE A WAH. CAN BLEND IN THE AUTO MODULATION. |
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BASS FUZZ w/ 4 FOOTSWITCHABLE EFFECTS (MODULATION, BASS BOOST, OCTAVE, TREBLE BOOST) |
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OCTAVE AND MODULATION DOWN EFFECTS |
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THIS IS THE ELECTRIC MISTRESS JOHN FEDOWITZ GAVE ME FOR MY 23RD BIRTHDAY MODIFIED WITH FOOTSWITCHABLE FILTER MATRIX AND ANOTHER STOMP SWITCH TO TURN ON THE LIGHT SENSITIVE OR CONTROL PEDAL SWEEP CONTROL. AMAZING COMPLETELY INTERACTIVE WITH STAGE LIGHTS. WHEN THE STROBES COME ON IT GOES BONKERS. |
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CUSTOM FUZZ/OCTAVE FUZZ MADE FOR PAUL OF SKYWAVE. MADE EXTRA SUPER F*CKING LOUD |
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FREAKED OUT FUZZ PEDAL WITH INTENSE SYNTH SOUNDING FILTERS AND MODULATORS |
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SPEAKER RIPPER FUZZ PEDAL. SYNTH LIKE TEXTURES FROM A GUITAR OR BASS |
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USB COMPUTER CONTROL BOX USED FOR THE MUMBLE HOP EXHIBIT AT THE MUSEUM OF THE AMERICAN MUSEUM OF THE MOVING IMAGE IN QUEENS NY AND THE WOODS GALLERIES IN PITTSBURGH PA. THE CONTROL BOX PLUGS THREE DANCE PADS WHICH CONTROL A COMPUTER KEYBOARD WHICH MAKES A CHARACTER JUMP.
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